Texts

Adorno, Theodor. “On the Contemporary Relationship of Philosophy and Music” (1953). in Theodor Adorno. Essays on Music. Trans. Susan H. Gillespie. Berkley, California: University of California Press, 2002.

——. “The Aging of the New Music” (1955). in Theodor Adorno. Essays on Music. Trans. Susan H. Gillespie. Berkley, California: University of California Press, 2002.

Agacinsky, Sylviane. Time Passing. Trans. Jody Gladding. New York: Columbia University Press, 2003.

Aronowitz, Stanley, Dawn Esposito, William DiFazio, and Margaret Yead. “The Post-Work Manifesto.” Eds. Aronowitz, Stanley and Jonathan Culter. Post-Work: the Wages of Cybernation. New York: Routledge, 1998.

Barthes, Roland. “Death of the Author.” in Roland Barthes. Image-Music-Text. Trans. Stephen Heath. New York: Noonday Press, 1988.

Becker, Howard. “The Work Itself.” Eds. Becker, Howard S., Robert S. Faulkner and Barbara Kirshenblatt-Gimblett. Art from Start to Finish. Jazz, Painting, Writing and Other Improvisations. Chicago: University of Chicago Press, 2006.

Benjamin, Walter. “The Author as Producer.” in Walter Benjamin. Selected Writings, vol. 2, part 2. 1931-1934. Cambridge, Massachusetts: Harvard University Press, 2003.

Berliner, Paul. The Soul of Mbira: Music and Traditions of the Shona People of Zimbabwe. Chicago: University of Chicago Press, 1993.

Bishop, Claire. Introduction. Participation. Ed. Claire Bishop. Cambridge, Massachusetts: MIT Press, 2006.

Boal, Augusto. Theatre of the Oppressed. New York: Theatre Communications Group, Inc., 1979.

Bolter, Jay David and Richard Grusin. Remediation: Understanding New Media. Cambridge, Massachusetts: MIT Press, 1999.

Bourriaud, Nicolas. Relational Aesthetics. Trans. Simon Pleasance and Fronza Woods. Les Presses du Réel, 2002.

Brackett, John Lowell. John Zorn: Tradition and Transgression. Bloomington: Indiana University Press, 2009.

Burnham, Linda Frye and Steven Durland, eds. The Citizen Artist. An Anthology from High Performance Magazine, 1978-1998. Vol. 1. Gardiner, NY: Critical Press, 1998.

Carney, Sean. Brecht and Critical Theory: Dialectics and Contemporary Aesthetics. London: Routledge, 2005.

Cohen-Cruz, Jan and Mady Schutzman, eds. A Boal Companion: Dialogues on Theatre and Cultural Politics. New York: Routledge, 2006.

Cox, Christoph and Daniel Warner. Audio Culture: Readings in Modern Music. New York: Continuum, 2004.

Deleuze, Gilles and Felix Guattari. Milles Plateaux. Minneapolis, MN: University of Minnesota Press, 1987.

Dezeuze, Anna. The “Do-It-Yourself” Artwork: From Fluxus to New Media. Manchester, UK: Manchester University Press, 2010.

Dixon, Steve. Digital Performance: A History of New Media in Theatre, Dance, Performance Art and Installation. Cambridge, Massachusetts: MIT Press, 2007.

Eco, Umberto. “The Poetics of the Open Work” (1962). Ed. Claire Bishop. Participation. Cambridge, Massachusetts: MIT Press, 2006.

Fishwick, Paul, ed. Aesthetic Computing. Cambridge, Massachusetts: MIT Press, 2006.

Flanagan, Mary. Critical Play. Radical Game Design. Cambridge, Massachusetts: MIT Press, 2009.

Foucault, Michel. “What Is an Author?” in Paul Rabinow and Nikolas Rose. The Essential Foucault: Selections from Essential Works of Foucault, 1954-1984. New York: New Press, 2003.

——. The Order of Things: An Archaeology of the Human Sciences. New York: Pantheon Books, 1971.

——. Aesthetics, Method, and Epistemology. Ed. James D. Faubion. Trans. Robert Hurley. Vol. 2. New York: New Press, 1998.

Fox, Aaron. Real Country: Music and Language in Working-Class Culture. Durham, North Carolina: Duke University Press, 2004.

Gann, Kyle. “The Case Against Over-Notation: A Defense and A Diatribe.” http://www.kylegann.com/notation.html

Goossen, Frederic, ed. Thinking about Music: The Collected Writings of Ross Lee Finney. London and Tuscaloosa: University of Alabama Press, 1991.

Hansen, Mark B.N. New Philosophy for New Media. Cambridge, Massachusetts: MIT Press, 2006.

Hebdige, Dick. Subculture: The Meaning of Style. London: Routledge, 1979.

Hendricks, Jon. Fluxus Codex. New York: H.N. Abrahm, 1988.

Holland, John H. Emergence from Chaos to Order. New York: Perseus Books Group, 1998.

Holmes, Brian. “The Affectivist Manifesto.” http://brianholmes.wordpress.com/2008/11/16/the-affectivist-manifesto/

Iversen, Margaret, ed. Chance. Cambridge, Massachusetts: MIT Press, 2010.

Kattwinkel, Susan, ed. Audience Participation. Essays on Inclusion in Performance. Westport, Connecticutt: 2003.

Kellein, Thomas. Fluxus. London: Thames and Hudson, 1995.

Kittler, Frederich. “There Is No Software.” Ed. Timothy Druckrey. Electronic Culture: Technology and Visual Representation. New York: Aperture, 1996.

——. Discourse Networks 1800/1900. Trans. Michael Metteer and Christopher Cullens. Stanford, California: Stanford University Press, 1990.

Magnusson, Thor. “Of Epistemic Tools: Musical Instruments as Cognitive Extensions.” Organised Sound 14, no. 2 (August 2009):

Manovich, Lev. The Language of New Media. Cambridge, Massachusetts: MIT Press, 2001.

Marx, Karl. Capital: A Critique of Political Economy. Trans. Ben Fowkes. London: Penguin Books, 1990.

——. The Eighteenth Brumaire of Louis Bonaparte.

McLuhan, Marshall. Understanding Media. The Extensions of Man. Ed. W. Terrence Gordon. Corte Madera, California: Ginkgo Press, 2003.

Mesch, Claudia and Viola Michely. Joseph Beuys: A Reader. Cambridge, MA: MIT Press, 2007.

Moggridge, Bill, ed. Designing Interactions. Cambridge, Massachusetts: MIT Press, 2007.

Munster, Anna. Materializing New Media: Embodiment in Information Aesthetics. Hanover, New Hampshire: Dartmouth College Press, 2006.

Poster, Mark. Information Please: Culture and Politics in the Age of Digital Machines. Durham, North Carolina: Duke University Press, 2006.

Sauer, Theresa. Notations. New York: Mark Batty Publisher, 2009.

Thompson, E.P. “Time, Work-Discipline, and Industrial Capitalism.” Past and Present 38, no. 1 (1967): 56-97.

Tisdall, Caroline. Joseph Beuys: We Go This Way. London: Violette Editions, 1998.

Tribe, Mark and Renna Iana. New Media Art. Ed. Uta Grossnick. Los Angeles, California: Taschen, 2006.

Turino, Thomas. Music as Social Life. Chicago: University of Chicago Press, 2008.

Van Buskirk, Eliot. “The album is dead; long live the app”, Wired (Aug. 4, 2009): http://www.wired.com/epicenter/2009/08/the-album-is-dead-long-live-the-app/.

Waksman, Steve. “California Noise: Tinkering with Hardcore and Heavy Metal in Southern California.” Social Studies of Science 34, no. 5 (Oct. 2004).

Wegenstein, Bernadette. Getting Under the Skin. Body and Media Theory. Cambridge, Massachusetts: MIT Press, 2006.

Witkin, Robert Winston. Adorno on Music. London: Routledge, 1988.

Zielinski, Siegfried. Deep Time of the Media. Toward an Archaeology of Hearing and Seeing by Technical Means. Trans. Gloria Custance. Cambridge, Massachusetts: MIT Press, 2006.